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Chapter 26 of 37

THE WOODSMEN'S BARGAIN

Chapter 26: The Night Watch

1,904 words | 10 min read

Ira

The night watch was the settlement's most solitary duty — a four-hour rotation on the observation platforms at the settlement's perimeter, the watcher's task to monitor the darkness below and to raise the alarm if movement was detected. The duty was assigned to every able-bodied adult on a rotating schedule, and Trilochan insisted that I be included in the rotation from my third week onward, the inclusion being, he said, a mark of acceptance rather than a burden.

"Watching is belonging," he told me. "The people who watch are the people who protect. If you don't watch, you're a guest. If you watch, you're a Vanavasi."

My first night watch was with Govind — the storyteller paired with me because his calm manner was considered appropriate for a newcomer's initiation into the particular loneliness of the duty. The platform was the western perimeter station — elevated, exposed, the canopy thinning at the settlement's edge to reveal a strip of open sky that was simultaneously beautiful and terrifying: beautiful because the stars were unobstructed, dense, the galaxy's arm visible as a luminous band that stretched from horizon to horizon; terrifying because the open sky meant the canopy's protection was thinner, the branches fewer, the distance between the platform and the ground more apparent.

"Don't look down for the first hour," Govind advised. "Look at the sky. Let your eyes adjust to the darkness gradually. The ground will reveal itself when you're ready."

The advice was practical — the transition from the settlement's ambient light (the oil lamps, the bioluminescent fungi that Trilochan cultivated along the walkways) to the perimeter's darkness required time, the eyes' photoreceptors shifting from cone-dominated daylight vision to rod-dominated night vision over a period of twenty to thirty minutes. During that transition, looking at the ground produced anxiety without information — the darkness was undifferentiated, the shadows meaningless, the mind filling the visual void with threats that the eyes couldn't confirm or deny.

I watched the stars. The constellations were not the constellations I knew — different sky, different star patterns, the navigational certainties of my training rendered irrelevant by the simple fact of being on a different planet. The disorientation was profound and strangely freeing: without familiar constellations, the sky was pure pattern, the stars reduced to their fundamental quality of light-points arranged in meaningless beauty, the universe's vast indifference expressed in the particular silence of a night sky viewed from a platform in a tree on a planet that most of humanity had never heard of.

"The Vanavasins have constellations," Govind said. "Different from yours. We see different pictures in the same stars."

"What do you see?"

"The Archer — there, the three bright ones in a line with the fainter one above. The Climber — that cluster near the horizon, the shape of a person ascending. The Root — the brightest star, alone, the foundation-point that all the others are measured from."

"We call that one something else."

"Every people call it something else. The star doesn't care. It shines regardless of what we name it. The naming is for us — the human need to impose meaning on meaninglessness, to find stories in randomness, to make the universe personal even when the universe is demonstrably impersonal."

"That's very philosophical for a night watch."

"Night watches are when philosophy happens. The day is for action. The night is for thought. The darkness gives permission to think the thoughts that daylight makes impossible — the large thoughts, the questions about meaning and purpose and the particular absurdity of existing on a tree-platform on an alien planet, watching stars you can't navigate by and listening for creatures you can't see."

The ground revealed itself gradually. As my night vision strengthened, the darkness below differentiated — the tree trunks became visible as darker columns against the dark background, the root systems as horizontal interruptions, the gaps between the roots as the pathways where the Igknamai moved. The forest floor at night was a landscape of shapes and shadows that the trained eye could interpret — the scouts who performed the night watch regularly could distinguish an Igknamai from a fallen branch at fifty metres in near-total darkness, the creature's movement pattern being subtly different from the wind-driven movement of natural objects.

I learned to read the shadows over the weeks. The Igknamai moved with a lateral undulation that was distinct from the vertical swaying of wind-blown debris — a side-to-side rhythm that was the creature's natural gait, the mucous-coated body sliding across the forest floor with the efficiency of a design optimised for ground-level predation. The standard Igknamai was visible as a darker-than-dark shape that moved too smoothly, too purposefully, the biological intent distinguishing it from the random motion of the natural environment.

The enhanced Igknamai were different. Their armoured plating caught the starlight — a faint, intermittent reflection that was visible only when the creatures moved, the armour segments shifting and exposing reflective surfaces for fractions of a second before the movement's continuation returned them to shadow. The effect was subtle — a glint, a flash, the barest suggestion of something metallic in an environment that contained no metal — but once I learned to recognise it, the detection was reliable.

"You see them," Trilochan said, when he checked the watch during my fourth rotation. He had been observing me from a concealed position on an adjacent platform — testing the newcomer's competence with the same discreet thoroughness he applied to everything. "The glint."

"The armour segments reflect starlight during movement transitions."

"How many?"

"Two. Standard patrol. Moving east-southeast, following the secondary root channel. They'll pass the watch station in approximately four minutes."

Trilochan was silent for a moment — the assessment being processed, the competence being evaluated. "Correct. The route, the timing, the count. You see the forest the way the forest needs to be seen — in darkness, in motion, with the eyes' periphery rather than its centre."

"My biology training. Peripheral vision uses rod photoreceptors, which are more sensitive to movement and low-light conditions than the central cone photoreceptors. Night observation is more effective when you look beside the target rather than at it."

"The scouts learn the same technique through practice. You learned it through theory. The result is the same — the Igknamai are seen. Theory and practice are different roads to the same destination."

The observation was Trilochan at his most generous — the warrior acknowledging a form of knowledge that was different from his own, the respect expressed through the recognition that multiple paths could lead to competence. I valued the moment more than the compliment — the evidence that Trilochan, the settlement's most rigorous assessor, had determined that my watching was adequate.

The most consequential night watch occurred during my third month — a rotation that fell on the darkest night of the settlement's calendar, the new-moon period when the sky's light was minimal and the forest floor was as close to total darkness as the natural world could produce. The darkness was not merely visual — it was physical, the absence of light creating a weight, a texture, the air itself seeming denser in the moonless night.

I was alone on the western platform. The solitary watch was a progression — Trilochan had cleared me for solo duty during my second month, the clearance representing a trust that I understood was not given lightly. The platform was the same one where Govind and I had watched the stars during my first rotation, but without the storyteller's companionable presence, the station's isolation was complete.

The detection came at the second hour. Not the visual detection I had trained for — the night was too dark for even peripheral vision to distinguish movement. The detection was auditory — a sound from below that was wrong, that didn't belong to the forest's nocturnal vocabulary. The standard sounds were catalogued in my memory: wind through branches, small nocturnal creatures in the underbrush, the settlement's structural creaking as the tree-huts adjusted to temperature changes. This sound was different.

It was rhythmic. Mechanical. The regular, repeating pattern of something moving with purpose through an environment that did not contain regular, repeating patterns. The forest's sounds were organic — irregular, overlapping, the product of multiple independent sources whose coincidental timing produced apparent pattern but whose fundamental nature was random. This sound was not random. It was structured. It was the sound of multiple entities moving in coordination.

I counted the rhythm. Six beats per cycle. The cycle repeating every three seconds. Six entities moving in synchronised steps — the coordinated movement of an enhanced Igknamai pack, the remnant of the Hybrid's military programming visible in the formation discipline that the creatures maintained even without their commander's direct control.

I raised the alarm — three sharp strikes on the wooden gong beside the watch platform, the signal for confirmed enhanced threat at the western perimeter. The settlement's response was immediate: the night-duty archers deploying to the palisade, the fire-arrow teams lighting their treated tips, the scouts mobilising to their assigned positions with the efficiency of a protocol that had been practised until the practice became instinct.

The pack emerged from the darkness into the fire-arrows' light — six enhanced Igknamai, armoured, coordinated, their formation breaking only when the first volley of fire-arrows struck the lead creature's plating and the heat began the brittling process that converted defence into vulnerability. The engagement lasted twelve minutes. The archers' discipline was flawless — the fire-arrow teams maintaining the thermal assault while the standard archers waited for the armour to compromise, the two-phase technique operating with the precision that Trilochan's training had instilled.

Six creatures. Six kills. No Vanavasi casualties.

Meenakshi found me on the platform after the engagement. The elder climbed the access rope with the agility of someone decades younger, her bark-coloured face illuminated by the post-engagement torchlight that the settlement had lit to confirm the perimeter was clear.

"You heard them," she said.

"The synchronised movement. Six beats, three-second cycle."

"The last watcher who detected an enhanced pack by sound alone was Dhruv." She paused. The name carried weight — Kavitha's dead scout, Chandni's dead partner, the person whose absence defined several of the settlement's ongoing griefs. "You are proving useful, sky-person."

"I'm trying."

"Stop trying. You've succeeded. The trying is over. Accept what you are — a Vanavasi who happens to have come from the sky." She turned to descend. "The next rotation, you train the younger watchers. Teach them what you taught yourself. The sound-detection technique. The peripheral vision. The biology that explains what practice already knows."

The promotion was characteristically Meenakshi — delivered without ceremony, without emotion, the recognition expressed as additional responsibility because the elder's culture did not distinguish between praise and duty. Being told to teach was the highest compliment the settlement offered, because teaching implied mastery, and mastery implied that the community's investment in the person had produced returns worth multiplying.

I taught the younger watchers. The teaching was the natural conclusion of a process that had begun when I descended to the forest floor for the first time and that had reached its culmination on a dark platform on a moonless night, where a sky-person had listened to the darkness and heard, in the structured rhythm of an approaching threat, the particular music of a forest that had accepted her as its own.

© 2026 Atharva Inamdar. Licensed under CC BY-NC-ND 4.0. Free to read and share with attribution.